Britten Sinfonia

Meet the Directors

The Board


Jonathan Barclay, Chairman

Jonathan is former Senior Partner of Mills & Reeve, the largest law firm based in the East of England, and has a long involvement in the arts in the region. He is now a consultant with Mills & Reeve, and non executive director of several local companies. Having joined Britten Sinfonia’s Board in 1998, he became its Chairman in 2001.

Charles Rawlinson, Deputy Chairman
Charles trained as a Chartered Accountant after gaining a MA from Jesus College, Cambridge. He became Joint Chairman of Morgan Grenfell & Co. merchant bankers and has been Chairman of several other companies. Charles is a founder director of Britten Sinfonia.

Dr Mary Archer
Mary is a chemist by background and currently Chairman of Cambridge University Hospitals NHS Foundation Trust. She is also patron of the Sinfonia of Cambridge, and President of the Guild of Church Musicians, the National Energy Foundation and the UK Solar Energy Society.

Stephen Bourne
Stephen trained as a chartered accountant and has held managerial roles in various industries including publishing and printing. Having joined Cambridge University Press in 1997 he became Chairman of its printing business in 2000, and Chief Executive in March 2002. Stephen joined the board in 2003.

Prof. Germaine Greer
Writer, academic and broadcaster, Germaine is best known for books such as The Female Eunuch and The Whole Woman. She is currently Special Supervisor in English at Newnham College, Cambridge.

Margaret Mair
Margaret read Law at St Anne’s College, Oxford, qualified as a barrister and spent most of her career in the Government Legal Service. After moving to Cambridge in 2001 she worked for the executive education team at the Judge Business School. She is closely involved in the musical life of Jesus College and is chairman of the Friends of the Fitzwilliam Museum.

John Stephens, OBE
John's wide experience in music education includes appointments as HM Inspector for Schools, Staff Inspector for Music for Inner London and Head of Music Education at Trinity College of Music. Currently he advises orchestras and opera companies seeking to extend their educational activities.

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